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It runs on the new Apple M1-based computers with the help of Rosetta 2, though not natively. The macOS version matches the Windows 10 version feature-for-feature, so anything you read below or above applies to both. Except for performance: I tested the macOS version on a 3. Final Cut Pro took in two tests, but then suffered system instabilities.

Interface Premiere Pro has an attractive, flexible interface. The startup view helps you quickly get to projects you've been working on, start new projects, or search for Adobe Stock footage. The dark program window makes your clips the center of attention, and you can switch among workspaces for Assembly, Editing, Color, Effects, Audio, and Titles.

You can edit these or create your own custom workspaces, and even pull off any of the panels and float them wherever you want on your display s. You can create content bins based on search terms, too. By default, the editor uses a four-panel layout, with the source preview at top left, a project preview at top right, your project assets at lower-left, and the timeline tracks along the lower right. You can add and remove control buttons to taste; Adobe has removed a bunch by default for a cleaner interface.

Since many editors rely on keyboard shortcuts like J, K, and L for navigating through a project, fewer buttons and a cleaner screen make a lot of sense. It's a very flexible interface, and you can undock and drag around windows to your heart's content.

Here's another helpful feature: When you hover the mouse over a clip in the source panel, it scrubs through the video. Premiere Pro is touch-friendly and lets you move clips and timeline elements around with a finger or tap buttons.

You can also pinch-zoom the timeline or video preview window. You can even set in and out points with a tap on thumbnails in the source bin. Final Cut supports the MacBook Pro with Touch Bar, but I prefer the on-screen touch capability, since, unlike the Touch Bar, the touch screen doesn't require you to take your eyes off the screen and therefore your video project.

When you click on a media thumbnail, you get a scrubber bar and can mark in and out points right there before you insert the clip into your project. Premiere offers several ways to insert a clip into your sequence. You can click the Insert or Overwrite buttons in the source preview monitor, or you can just drag the clip's thumbnail from the media browser onto the timeline or onto the preview monitor.

Holding Command or Ctrl on Windows makes your clip overwrite the timeline contents. You can even drag files directly from the OS's file system into the project. The media browser also has tabs for Effects, Markers, and History, the last of which can be help you back to a good spot if you mess up. Markers, too, have been improved, with the ability to attach notes and place multiple markers at the same time point. Markers can have durations in frame time codes, and the Markers tab shows you entries with all this for every marker in a clip or sequence.

Clicking on a marker entry here jumps you right to its point in the movie. Any device that can create video footage is fair game for import to Premiere Pro. The software can capture from tape, with scene detection, shuttle transport, and time-code settings. Resolutions of up to 8K are supported.

And, of course, you can import video from smartphones and DSLRs, as well. For high-frame-rate video, the program lets you use proxy media for faster editing. PREL file format. But note that you may lose some effects, even things like image filters and motion tracking. They're all clearly accessible at the left of the timeline.

The cursor shape and color give visual cues about which kind of edit you're dealing with. Active Oldest Votes. Improve this answer. Andy E Andy E k 80 80 gold badges silver badges bronze badges. Sign up or log in Sign up using Google. Sign up using Facebook. Sign up using Email and Password. Post as a guest Name. Email Required, but never shown. The Overflow Blog.

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